Showing posts with label General. Show all posts
Showing posts with label General. Show all posts

Wednesday, 9 March 2011

Midweek Features - Celebrating International Women's Day - 9/03/2011

To celebrate yesterday’s Women’s Day, I’ve chosen 12 images to stand in for the different faces we wear and the different personas we take on – from mystery to self portraits, from strong to silenced, from outer to inner persona.

Women have been associated with the moon for a long, long time….

 and the same is true for our association with the tide and flow of the sea…

 
the next image seemed to encapsulate so many things and concepts that all revolve around us – from time to home to self…

 Pristina of time by © Fiery-Fire

what can I say? It’s a stunning image and reminded me of one of the Russian paintings of Mary – another persona we seem to take on and slip off…

 Tears of the Pray by © Mariska

and here’s another icon of the ‘female’ world – Medea a woman used and scorned and out for revenge…

 1983 – medea 01 by © moyo

who can forget “Gone With the Wind” – however it takes on a different flavour here of all those things we loose along the way…



a take on the various parts that make up who we are and how so often they make us feel like marionettes or dolls…

 Doll Parts by © Glitterfest

and here are the sorrows this and other things cause us…


 lady of the Various Sorrows by © kasia ikasia

however, there is always that book to lose ourselves in…
 lost in a story, and the last candid … japan (color version) by © Tatum Wulff

and here we are – shut up and silenced…

 Be silent by © Marlies Odehnal

what better place to retreat to than the cocoon that never seems to be far away and it is a great place to re-invent ourselves…

 My Cocoon by © MoonSpiral

je ne sais pas by © Irina & Silviu Székely 
(image no longer available on RB )
 je ne sais pas by © Irina & Silviu Székely

Feel free to add links to more images that show how you feel about being a woman. :-)

Featured Artist - March 2011 - Caroline Caux-Evans (Karo)

Karo Evans (Caroline Caux-Evans)

Karo Evans(caroline caux-evans)I am delighted to introduce Karo Evans as our Featured Artist for March.
Karo Evans (caroline caux-evans) is a Photographer and an Abstract Expressionist Painter.
Born abroad in Asia, raised partially in Madagascar,England and France, she has always been influenced by other cultures, from which she takes the riches and uses this throughout her work.


Karo has a wide-ranging portfolio of work, which includes paintings, digital art and photography. She has been exhibited widely, especially in France where she lives. Her work is powerful and challenging, – often uncomfortable to view, but always thought-provokng and passionate.


Karo is very strong about women’s issues and the rights of women. Themes to do with these issues run throughout her work. She speaks out for the victims of abuse, the homeless and against cultures which denigrate women.

This is Karo’s profile…

All Art is worthy of consideration,and Art is for everyone.
I do not believe that it is only for the elite.


Art is like breathing,a MUST to stay ALIVE.
I need to dive into creativity and express my guts, through my paintings and my photographs.
Without ART, I would be amputated of what “makes me”, what has been one of the driving forces in my life.
When one is amputated, long after, the limb has been removed, one feels a “phantom pain”, where the limb used to be.
When some one is an Artist, if he cannot express himself through the medium of his choice, he dies slowly……
With that death, comes the pain, brought by the impossibility, to share, what has been growing inside, deep down, in those corridors and palaces of creativity.


When you drown, you try to gasp for air, you battle with the elements, yourself, the waves…..
An Artist, I do believe, is a very sensitive ( sense it…eves.) person, and can therefore, retranscript, to those around, what he receives, and transforms using his imagination and palette, media….


Artists are a needed category of BEINGS in this world, where we are chasing for troubles, wars, lacking beliefs, left drifting ALONG uncertainties.
My aim is to give birth to what I feel inside my innermost being, whether it is received positively or not.
One can take a medication which taste, is sour to our palate, or pleasing to the papilles.
But the objective is to get better.
To get stronger.TO LIVE. TO BE.


Art can be for some as a medication, but the positive thing that it should do is to make us ponder about certain things around us or in us so that we can overtake them, and this can benefit others if they are open minded and willing to see the world with differant glasses than, the ones they are wearing.


Art is, as well, a challenge to show the world around us, may be, what they really feel inside, and have never been able to express or even been willing to acknowledge, recognize in their own walk along that hard path, that LIFE can be.
ART IS FELT
ART IS SENSED
ART IS FOR EVERY ONE
NOT FOR THE ELECT
ART IS HEART!
What is ART?
As a seed, planted into your flesh,
it takes months, years, to devellop sometimes.
There is a craving which nothing can quench, until, you have thrown onto the canvas, the pigments, and other representatives of that life force which within you , has battled over the hours of sleepless nights, to become,the embryo, the future babe, and child, that will convey the life giving sip of your very soul and spirit. You have agonised, over the shades, the hues, the lines, the perspective, the composition, and at that point in time, you can rest, smile, feeling delivered! Birth has taken place! Your soul can be free,now to browse, at THE PIECE that is now enlightening ,
the world around you.


The viewer , will be able to suck at the” mamelles” of your creation!
The viewer will be fed, of your intimate thoughts, or feelings, your battles, your hopes, your victories!
He will be the receiver, of the most valued instants of your life as an ARTIST;
He will be abble to sense the emotions, that you have offered to him, as one offers an animal for sacrifice.
Ressenti, emotions, feelings!
Not long sentences, big words or concepts!



These are six images that Karo selected as her favourites….
VOYAGE DANS LE TEMPS #3 by © Karo (caroline) Evans

 REGARDS DE FEMME #2: HOMAGE TO THE SURVIVORS OF ABUSE by © Karo (caroline) Evans

Homage To The Survivors represents what in the LIFE of WOMEN , HURTS!
Every line,brush stroke, can be assimilated to vexations, abusive words or behaviour, psychological, mental or physical ABUSE!
ONE OUT OF TEN WOMEN ARE BEING ABUSED
ONE OUT OF SEVEN CHILDREN ARE BEING ABUSED

ACRYLIC ON CANVAS



(bowsprit showing the staysail and foresail hanked on the forestay and headstay)


WAVE #14 by © Karo (caroline) Evans

To see more favourites by our members - check out this post here.

Monday, 29 November 2010

Goody Santa Claus - A light-hearted look at gender roles in thisholiday season.

A light-hearted feminist look at gender roles at this season.

Santa, must I tease in vain, Deer? Let me go and hold the reindeer,
While you clamber down the chimneys. Don’t look savage as a Turk!
Why should you have all the glory of the joyous Christmas story,
And poor little Goody Santa Claus have nothing but the work?

It would be so very cozy, you and I, all round and rosy,
Looking like two loving snowballs in our fuzzy Arctic furs,
Tucked in warm and snug together, whisking through the winter weather
Where the tinkle of the sleigh-bells is the only sound that stirs.

You just sit here and grow chubby off the goodies in my cubby
From December to December, till your white beard sweeps your knees;
For you must allow, my Goodman, that you’re but a lazy woodman
And rely on me to foster all our fruitful Christmas trees.

While your Saintship waxes holy, year by year, and roly-poly,
Blessed by all the lads and lassies in the limits of the land,
While your toes at home you’re toasting, then poor Goody must go posting
Out to plant and prune and garner, where our fir-tree forests stand.

Oh! but when the toil is sorest how I love our fir-tree forest,
Heart of light and heart of beauty in the Northland cold and dim,
All with gifts and candles laden to delight a boy or maiden,
And its dark-green branches ever murmuring the Christmas hymn!

Yet ask young Jack Frost, our neighbor, who but Goody has the labor,
Feeding roots with milk and honey that the bonbons may be sweet!
Who but Goody knows the reason why the playthings bloom in season
And the ripened toys and trinkets rattle gaily to her feet!

From the time the dollies budded, wiry-boned and saw-dust blooded,
With their waxen eyelids winking when the wind the tree-tops plied,
Have I rested for a minute, until now your pack has in it
All the bright, abundant harvest of the merry Christmastide?

Santa, wouldn’t it be pleasant to surprise me with a present?
And this ride behind the reindeer is the boon your Goody begs;
Think how hard my extra work is, tending the Thanksgiving turkeys
And our flocks of rainbow chickens — those that lay the Easter eggs.

Home to womankind is suited? Nonsense, Goodman! Let our fruited
Orchards answer for the value of a woman out-of-doors.
Why then bid me chase the thunder, while the roof you’re safely under,
All to fashion fire-crackers with the lighting in their cores?

See! I’ve fetched my snow-flake bonnet, with the sunrise ribbons on it;
I’ve not worn it since we fled from Fairyland our wedding day;
How we sped through iceberg porches with the Northern Lights for torches!
You were young and slender, Santa, and we had this very sleigh.

Jump in quick then? That’s my bonny. Hey down derry! Nonny nonny!
While I tie your fur cap closer, I will kiss your ruddy chin.
I’m so pleased I fall to singing, just as sleigh-bells take to ringing!
Are the cloud-spun lap-robes ready? Tirra-lirra! Tuck me in.

Off across the starlight Norland, where no plant adorns the moorland
Save the ruby-berried holly and the frolic mistletoe!
Oh, but this is Christmas revel! Off across the frosted level
Where the reindeers’ hoofs strike sparkles from the crispy, crackling snow!

There’s the Man i’ the Moon before us, bound to lead the Christmas chorus
With the music of the sky-waves rippling round his silver shell —
Glimmering boat that leans and tarries with the weight of dreams she carries
To the cots of happy children. Gentle sailor, steer her well!

Now we pass through dusky portals to the drowsy land of mortals;
Snow-enfolded, silent cities stretch about us dim and far.
Oh! how sound the world is sleeping, midnight watch no shepherd keeping,
Though an angel-face shines gladly down from every golden star.

Here’s a roof. I’ll hold the reindeer. I suppose this weather-vane, Dear,
Some one set here just on purpose for our teams to fasten to.
There’s its gilded cock, — the gaby! — wants to crow and tell the baby
We are come. Be careful, Santa! Don’t get smothered in the flue.

Back so soon? No chimney-swallow dives but where his mate can follow.
Bend your cold ear, Sweetheart Santa, down to catch my whisper faint:
Would it be so very shocking if your Goody filled a stocking
Just for once? Oh, dear! Forgive me. Frowns do not become a Saint.

I will peep in at the skylights, where the moon sheds tender twilights
Equally down silken chambers and down attics bare and bleak.
Let me show with hailstone candies these two dreaming boys — the dandies
In their frilled and fluted nighties, rosy cheek to rosy cheek!

What! No gift for this poor garret? Take a sunset sash and wear it
O’er the rags, my pale-faced lassie, till thy father smiles again.
He’s a poet, but — oh, cruel! he has neither light nor fuel.
Here’s a fallen star to write by, and a music-box of rain.

So our sprightly reindeer clamber, with their fairy sleigh of amber,
On from roof to roof , the woven shades of night about us drawn.
On from roof to roof we twinkle, all the silver bells a-tinkle,
Till blooms in yonder blessèd East the rose of Christmas dawn.

Now the pack is fairly rifled, and poor Santa’s well-nigh stifled;
Yet you would not let your Goody fill a single baby-sock;
Yes, I know the task takes brain, Dear. I can only hold the reindeer,
And so see me climb down chimney — it would give your nerves a shock.

Wait! There’s yet a tiny fellow, smiling lips and curls so yellow
You would think a truant sunbeam played in them all night. He spins
Giant tops, a flies kites higher than the gold cathedral spire
In his creams — the orphan bairnie, trustful little Tatterkins.

Santa, don’t pass by the urchin! Shake the pack, and deeply search in
All your pockets. There is always one toy more. I told you so.
Up again? Why, what’s the trouble? On your eyelash winks the bubble
Mortals call a tear, I fancy. Holes in stocking, heel and toe?

Goodman, though your speech is crusty now and then there’s nothing rusty
In your heart. A child’s least sorrow makes your wet eyes glisten, too;
But I’ll mend that sock so nearly it shall hold your gifts completely.
Take the reins and let me show you what a woman’s wit can do.

Puff! I’m up again, my Deary, flushed a bit and somewhat weary,
With my wedding snow-flake bonnet worse for many a sooty knock;
But be glad you let me wheedle, since, an icicle for needle,
Threaded with the last pale moonbeam, I have darned the laddie’s sock.

Then I tucked a paint-box in it (‘twas no easy task to win it
From the Artist of the Autumn Leaves) and frost-fruits white and sweet,
With the toys your pocket misses — oh! and kisses upon kisses
To cherish safe from evil paths the motherless small feet.

Chirrup! chirrup! There’s a patter of soft footsteps and a clatter
Of child voices. Speed it, reindeer, up the sparkling Arctic Hill!
Merry Christmas, little people! Joy-bells ring in every steeple,
And Goody’s gladdest of the glad. I’ve had my own sweet will.

This poem, and four other Christmas poems, were also included in Bates’ Fairy Gold (New York: E. P. Dutton & Co., 1916). See:
Poems of Christmas by Katherine Lee Bates

Feminist Art, What is it?

I found this fascinating article today and wanted to share it with you all.

Source….
Feminism & Feminist Art
The Art History Archive – Feminist Art

Feminist art sometimes poses or confronts such questions as:

1. How is a woman’s gaze different from a man’s? How does that difference influence the ways in which the two genders view the world? And how they view art?

2. What constitutes obscenity and pornography? Where do they come from? What are their results? Are they always transgessive? What place do they have in art?



Especially since the late 1960s, when the feminist art movement can be said to have emerged, women have been particularly interested in what makes them different from males — what makes women artists and their art different from male artists and their art. This has been most prominent in the United States, Britain, and Germany, although there are numerous precursors to the movement, and it has spread to many other cultures since the 1970s.



Feminists point out that throughout most of recorded history males have imposed patriarchal (father-centered) social systems (in which they have dominated females). Although it is not the goal of this article to recount the development of feminist theory in full, the history of feminist art cannot be understood apart from it. Feminist theory must take into account the circumstances of most women’s lives as mothers, household workers, and caregivers, in addition to the pervasive misconception that women are genetically inferior to men. Feminist art notes that significant in the dominant (meaning especially Western) culture’s patriarchal heritage is the preponderance of art made by males, and for male audiences, sometimes transgressing against females. Men have maintained a studio system which has excluded women from training as artists, a gallery system that has kept them from exhibiting and selling their work, as well as from being collected by museums — albeit somewhat less in recent years than before.

Here is a notice posted by the Guerrilla Girls (founded in 1985, a New York based group of otherwise unnamed women “artists, writers, performers and film makers who fight discrimination”) in a list they published in 1989:

The Advantages of Being a Woman Artist:

Working without the pressure of success.
Not having to be in shows with men.
Having an escape from the art world in your 4 free-lance jobs.
Knowing your career might pick up after you’re eighty.
Being reassured that whatever kind of art you make it will be labeled feminine.
Not being stuck in a tenured teaching position.
Seeing your ideas live on in the work of others.
Having the opportunity to choose between career and motherhood.
Not having to choke on those big cigars or paint in Italian suits.
Having more time to work when your mate dumps you for someone younger.
Being included in revised versions of art history.
Not having to undergo the embarrassment of being called a genius.
Getting your picture in the art magazines wearing a gorilla suit.
Feminist art history must be considered as part of this discussion. Its proponents have demanded that women’s arts from all cultures, of all periods, be included in studies and exhibitions of art. In 1971 Linda Nochlin (American, contemporary art critic) wrote a landmark article, Why Have There Been No GREAT Women Artists? giving tremendous momentum to feminist scholarship concerning women in the arts. Numerous histories of women artists were published in the 1970s, and several others have appeared in the years since then.

Before the late 1960s most women artists, struggling to participate in the male-dominated art world, had overwhelming disincentives to put feminist meanings into their work, and sought to de-gender their art. Often, on the basis of appearance alone, their work could not be identified as woman-made. Several countercultural movements arose simultaneously with feminism in the 1960s. At this time the United States experienced social upheaval coming with the Civil Rights Movement, the Vietnam War, economic prosperity, the arrival of oral contraceptives, reforms in the Catholic Church, nostalgia for the presidency of John F. Kennedy, and experimentation with psychotropic drugs. Many other countries experienced social unrest of various kinds during this period. Some gender issues have been of interest to both male and female artists. Although feminist art has arisen more from the concerns of artists of one gender, and some of those concerns are sexual in nature, more often than not feminist issues have been about women’s power in arenas of which sexuality (reproductive acts and roles) is an important part.

Feminist art sometimes poses or confronts such questions as:

1. How is a woman’s gaze different from a man’s? How does that difference influence the ways in which the two genders view the world? And how they view art?

2. What constitutes obscenity and pornography? Where do they come from? What are their results? Are they always transgessive? What place do they have in art?

Although feminist artists have shown great interest in the depiction of nude figures (both male and female), very few feminist artists have shown interest in creating erotic work. Learn more by reading Feminist Art Practices & Political Art.

Link to the original article.

Examples of Feminist Artists:

  • Cindy Sherman
  • Joyce Wieland
  • Frida Kahlo
  • Artemisia Gentileschi
  • Lilith Adler
  • Caroline Folkenroth
  • Candice Raquel Lee
  • Jennifer Linton
  • Martha Rosler
  • Rachel Stone
  • Victoria Van Dyke
  • William Blake

Other Famous Women Artists:

  • Emily Carr
  • Georgia O’Keeffe
  • Berthe Morisot
  • Rosa Bonheur
  • Elisabeth Vigee-Lebrun

Articles about Feminist Art:

  • Feminist Art Practices & Political Art
  • Women Artists of the 20th & 21st Centuries
  • 20th Century Feminist Artists
  • Gender in the Visual Arts
  • Slavery is a Woman
  • Why Have There Been No GREAT Women Artists?
  • Estonian Feminist Artists
  • Turkish Feminist Artists
  • A Feast of Feminist Art

Wednesday, 24 November 2010

Paradise Lost - Picture Challenge

The Challenge


“The mind is its own place, and in itself can make a heaven of hell, a hell of heaven..”
— John Milton (Paradise Lost)

“Better to reign in Hell, than to serve in Heaven.”
— John Milton (Paradise Lost)

“Farewell Hope, and with Hope farewell Fear”
— John Milton

“Awake, arise or be for ever fall’n.”
— John Milton (Paradise Lost)

“Give me the liberty to know, to utter, and to argue freely according to conscience, above all liberties.”
— John Milton

“Of man’s first disobedience, and the fruit/Of that forbidden tree, whose mortal taste/Brought death into the world, and all our woe,/With loss of Eden, till one greater Man/Restore us, and regain the blissful seat,/Sing heavenly muse”
— John Milton (Paradise Lost)

Your interpretations of this wide subject can be religious, personal, professional or political – but they MUST have a feminist message with them.

The Winner
Heaven and Hell by MagpieMagic
Heaven and Hell  by MagpieMagic

Previous challenges and winners have their own special place in the magazine and our hearts.

Sunday, 21 November 2010

Getting there....

For those of you watching the progress being made, here's some news. :-)

The fixed pages at the top are now full of exciting content and we're nearly ready to launch. Just a few things to sort out in the background and we'll be ready to have a big party (kind of - with cyber champagnes and calorie-free cyber chocolates).

Tuesday, 9 November 2010

Hello world!

Welcome to the new Pink Panther Magazine blog. It will replace the wonderful Pink Panther Magazine, which in its current form is just not sustainable. So to keep you up-to-date with everything going on in the world of women's art we have started this.

Right now it's all still a bit rough and ready... but wait and see, we'll soon put on our pretty face.

Feel free to tell us how marvellous this is and how much you love the blog. ;-)